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• In Jane Eyre this hypodiegetic level is only attained four times again, first in chapter fifteen, in which Rochester tells Jane about his mistress Celine Varens, second in chapter twenty-seven [...]
• Gretta's story, by contrast, has all the force of an authentic performance, a spontaneous speech-act that recreates its own referential validity. As such, it is the most coherent and integrated hypodiegetic act of narration in Dubliners.
• Continuing this issue of depth: backgrounds are also used throughout some issues of Sandman, for example in Sandman #6 (“24 Hours”) where they provide mood, or Sandman #3 (“Dream a Little Dream of Me”) where a hypodiegetic dream story underlies the pages (see for example page 22), with the diegetic narrative sequence overlaid.